“disbelief in magic can force a poor soul into believing in government and business”—Tom Robbins

“That willing suspension of disbelief for the moment, which constitutes poetic faith.” —Samuel Taylor Coleridge
[image credit: Steampunk by Mike Savad]

The first and most basic thing any artist asks of their audience is the willing suspension of disbelief as they approach the artist’s version of reality. In theaters, audiences watch a boy teach three children how to fly to Neverland. Movies feature animated rodents who sing, do housework, and sew wedding dresses without ever pooping on anything. Readers follow the adventures of a boy wizard, all the while wondering what’s become of their own letter from Hogwarts. Fans of the Chicago Cubs and the Norwich Canaries buy seasons tickets, sure that this will be “their” year. American voters actually cast ballots for Donald Trump. [It’s possible that last one represents not so much a willing suspension…

I got two rejections last week.  One of the upsides of having an agent is that those emails don’t come directly to me anymore.  But one of the downsides is that my agent seems to store them up and I tend to hear about two at a time which is a real double whammy.  I also get more feedback these days as the editors give at least a line or two about the book, giving a couple of positives before they get to the reason why they turned it down.

I thought the feedback would be a good thing, give me an idea of what I need to work on in my writing.  But they’re so contradictory that I don’t know what to take from them.  One of this week’s rejections said they didn’t like Maeve, the antagonist, whereas an editor who turned me down before Christmas said Maeve was…